Certainly the sweetest colour in the range, Sweet Briar was taken from the early design, Trellis (1864), and exudes all the charm of stumbling across a wild rose on a country walk.
Sampled from the Chrysanthemum design of 1877, Mumington's Stem is a traditional green with hints of blue, perfect for adding a calming touch to any space.
Deepened with a plum-like tinge, this red has been reimagined based on a historic Morris & Co. paint palette. Thomas Wardle, an innovator in textile dyeing techniques relied upon by Morris & Co., gives his name to this classic red.
This delicate blue with green undertones is taken from the background colour of the Lily design (c. 1873) in William Morris's bedroom in Kelmscott Manor, Oxfordshire.
William Morris was remembered being 'up to the elbow' in indigo, as he was trialling the reintroduction of the traditional indigo-discharge printing method at Merton Abbey. Inky Fingers harks back to this moment, where the founder of Morris & Co. was covered in the deeply rich blue colour.
A dark blue, Webb's Blue is perfect for adding a contrastingly moody touch to interiors. The colour is taken from one of the earliest Morris & Co. designs, Trellis (1864), for which Phillip Webb designed the birds perched upon the wooden frame.
Named after the river which supplied the water to the Morris & Co. fabric printing site at Merton Abbey, the overcast colour evokes the cool tones of the flowing river.
Dearle is a light-hearted blue tone which is derived from the Leicester Leaf design, created by Morris & Co. designer J.H. Dearle in 1912. An enlivening hue, Dearle is perfect for bringing joy to interior spaces.
This delicate blue with green undertones is taken from the background colour of the Lily design (c. 1873) in William Morris's bedroom in Kelmscott Manor, Oxfordshire.