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Dimity is a pale taupe with a subtle red base, named after a sheer cotton fabric popular in dressmaking. It has a great amount of warmth and depth, making for instantly welcoming hallways and living rooms. When paired with Pointing, it seems to take on a pinkier tone, while combining it with darker Oxford Stone creates a more aged look. -
White Tie is a pretty, traditional white with a yellow base. As a wall colour, it imparts a gentle warmth to any space, with just a hint of black pigment adding a surprising depth. Used alongside other shades from the Farrow & Ball Yellow Based Neutrals, like the darker Matchstick and String, it creates a delicately creamy scheme. -
Skimming Stone is a light grey with subtle lilac undertones, which give it just the right amount of warmth while still feeling contemporary. Due to its warmer tone, it's a great grey for bedrooms, and makes a wonderful addition to any room alongside Farrow & Ball classic Elephant's Breath, its darker accent. -
Elephant's Breath is instantly recognisable as a Farrow & Ball shade, both in name and colour. It's a universally popular mid-tone grey with a subtle lilac undertone, which comes more to the fore in cooler light. Try it in a scheme alongside the darker Charleston Gray and London Clay for an effortlessly cool look. -
A true earthy green
An enticing olive shade, Sap Green is a true celebration of nature and feels wonderfully intense in small spaces. Recommended Primer & Undercoat: Dark Tones Complementary white: Strong White No. 2001 -
A quiet dark stone
A dark, quiet colour that sits effortlessly alongside natural materials, such as weathered wood or flagstone floors. It feels reserved and comforting in equal measure. Recommended Primer & Undercoat: Dark Tones Complementary white: Stirabout No. 300 -
A brown-based deep red
An earthy red inspired by an ancient civilisation. Less intense than Preference Red, it's still undoubtedly rich without being overwhelming. Recommended Primer & Undercoat: Red and Warm Tones Complementary white: Joa's White No. 226 -
A deep ochre
An aged yellow celebrating the ever so familiar cloth used to clean homes worldwide. Recommended Primer & Undercoat: Mid Tones Complementary white: Lime White No. 1 -
A smoky grey-green
Inspired by the soot and tarnished brass of traditional candle snuffers, this is a green interpretation of our beloved Inchyra Blue. Recommended Primer & Undercoat: Dark Tones Complementary white: Shaded White No. 201 -
A clean light blue
This highly requested, cleaner interpretation of Light Blue takes its name from the folkloric fires of Sweden, often decorated in this shade. Recommended Primer & Undercoat: White and Light Tones Complementary white: Strong White No. 2001 -
A grounded orange hue
Named after the marmelo quince, the inspiration for marmalade, this is a thoroughly comforting shade. Recommended Primer & Undercoat: Red and Warm Tones Complementary white: Joa's White No. 226 -
A familiar terracotta
Inspired by the origins of the word apron, this is a familiar clay colour with a well-loved feel. Recommended Primer & Undercoat: Red and Warm Tones Complementary white: Stirabout No. 300 -
A crisp, blue-based neutral
A fresh neutral with distinctive blue undertones, this colour has a certain crispness like the starch it is named after. Recommended Primer & Undercoat: White and Light Tones Complementary white: All White No. 2005 -
An intense muddied green
The green pigment in this dark neutral has been reduced so much that it's barely there - some see brown, while others see green. Recommended Primer & Undercoat: Dark Tones Complementary white: Old White No. 4 -
A down-to-earth green
Named after the tool beloved by gardeners to create holes for planting seeds or bulbs, this muddied green has a close association with the natural world. Recommended Primer & Undercoat: Dark Tones Complementary white: Slipper Satin No. 2004 -
A softer salmon hue
This lighter interpretation of Dead Salmon is inspired by both the soft hue and gentle, curved shape of the prized shellfish. Recommended Primer & Undercoat: Mid Tones Complementary white: Dimity No. 2008 -
This clean mid green is named in honour of a kind and generous member of our Farrow & Ball team who is sadly no longer with us. A dependable, uncomplicated colour, with the ability to feel even greener in bright daylight or more conservative in lower light. This shade is a beautiful addition to any home. -
Our most spirited red, the name of this fiery hue was originally used to describe the deceit of pirates. Full of buccaneering spirit, Bamboozle brings joy and warmth to any room scheme and is easy to use in both traditional and modern homes. It will hold its own in any light and pairs brilliantly with other strong colours, like Beverly and Wine Dark. -
Inspired by midnight skies, this spiritual colour is named after the term Homer used to describe the sea. Our richest blue, it's the perfect addition to our strong blue family, being more sophisticated than Stiffkey Blue and more upbeat than Hague Blue. In low-light, Wine Dark becomes even richer, making it particularly glamorous in candlelight and perfect for creating intimate spaces. -
A historic-feeling pink, this shade was developed for the dining room at Templeton House to offset the magnificent Wedgwood plaques made to commemorate the former owner, although it suits a contemporary setting just as well. A more intense version of Setting Plaster or Pink Ground, it creates a warm, welcoming space, particularly in low light where this shade becomes surprisingly deep. -
The lightest and most delicate of our pinks, this charming colour is that of the tacking thread used in Haute Couture ateliers. It may be delicate but it's strong in character and has enough colour contrast with white. Perfect paired with vintage finds or industrial accents, this shade works well in both traditional and modern schemes. -
A lighter, less grey version of popular De Nimes, Selvedge is named after the highly prized denim woven on a shuttle loom to produce closed edges. It's particularly good in low-light spaces, creating a familiar and friendly atmosphere, making it suited to bedrooms or rooms you spend time in, in the evening. It pairs beautifully with accents of darker colours like Inchyra Blue or Hopper Head. -
This clean cool blue is inspired by the wings of seabirds when seen in bright sunlight. Sitting between Parma Gray and Lulworth Blue, Kittiwake has a touch more black pigment creating a warmer, more relaxed feel. This shade is perfect for living spaces, staying truly blue in all lights. It also complements stainless steel especially well, so is ideal for contemporary kitchens. A sophisticated blue, it looks fantastic with Wine Dark and Borrowed Light. -
Sitting between the ever-popular Railings and Down Pipe, this classic charcoal colour is inspired by the attractively designed iron containers used to catch rainwater at the top of a downpipe. Ideal for creating inviting spaces, Hopper Head works beautifully with nearly any Farrow & Ball shade or can be used exclusively across walls, woodwork and the ceiling for a dramatic space. -
A gentle green named after the circular currents enjoyed by wild water swimmers as a natural jacuzzi. This evocative colour creates a seamless connection with nature, perfect for use in a garden room or alongside natural materials. A breath of fresh air, Eddy is also an ideal choice for calm, relaxing spaces. It is delicate in tone without crossing into pastel and sits at the lightest end of the French Gray and Treron family. -
Worsted is a woven fabric named after the Norfolk village where it was originally made. Farrow & Ball's own Worsted takes its colour from the suits often made from this material, most often in deep shades of grey. It's lighter than Mole's Breath, but deeper than Purbeck Stone, and makes a great accompaniment to both.




